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Showing posts with label Digital Stories. Show all posts
Showing posts with label Digital Stories. Show all posts

Tuesday, 5 January 2010

When is an e-Portfolio not an e-Portfolio?

Nils Petersen on the AAEEBL forum recently pointed up this interesting example of what some were calling an 'e-Portfolio' where others were perhaps more correctly calling it her 'electronic reputation' or as Serge Ravet would say, 'her digital identity'.

The work of Margo Tamez as illustrated by the Touchgraph that she created hit the courts when litigation ensued as to the ownership rights of an e-Portfolio created as part of her academic work. This is a classic example of 'Cloud Computing' and raises the whole issue of 'who owns what'?

Traditionally, any work created in the workplace belonged to the owners of the company and similarly, any work created using the tools of the workplace, either on-site or off-site still belonged to the company. But that is not the point of this post.

Firstly, as I have stated before, the e-Portfolio should not be considered as a 'pantechnicon' of all that a student has ever produced. Rather, the e-Portfolio should be seen as that selection of appropriate artefacts, either work in progress or completed activities that the learner feels are the best exemplars of learning processes.

Secondly, the e-Portfolio should be that organised and well presented selection of artefacts supported by intelligent comment for a particlar audience. I cannot begin to think that Margo has a particular audience in mind for this tumble of evidences.

Thirdly, the technical competence required for this form of entertainment can only serve as a barrier to learning if others are tempted to emulate this form of bravado. As others have noted on the AAEEBL forum, the creation of an e-Portfolio should not be a measure of technical competence. Rather, an e-Portfolio (such as eFolio) should be a simple to use tool that enables all the positive things of e-Portfolio practice to happen naturally as part of reflection and showcasing.

Monday, 14 September 2009

The New Literacy?

Graphic: Relaxed writing by the seaside.Thanks to a brief post from Leigh Blackall I read this eloquent item from Rachel McAlpine. It talks of young people enthusiastically writing away on their netbooks or laptops - and that whilst they were away on holiday! If ever there was an example of learning taking place outside of the classroom, I think that this is it!

Writing, however reflective, can still be very introspective and misses something of the point of learning as far as I understand it. Even some three hundred years ago we read of Isaac Watts putting together his great works on Logic etc by comparing the writings of two or three others and compiling a single work from the synthesis of both the other writers and his own perceptions. Perhaps, although not interactive, this could be seen as a form of collaboration?

Certainly, for today's learners, Rachel McAlpine's observations are but just the beginings of e-Portfolios as the store of fond and sometimes private memories only to be trusted by a select few. I wonder how many of Rachel's holiday writers will publish their rich gems of observation, refined by the collaboration or peer-review of others.

e-Portfolios? Let's get going!

Saturday, 18 July 2009

What is Reflection?

Far too often we hear of e-Portfolios as being good for reflection but, in reading on, I usually get the feeling that authors see reflection as purely introspection. Not that introspection is a bad thing, but reflection can be so much more, particularly when supported by a good e-Portfolio.

Firstly, let’s look at evaluation. I always encouraged my students to divide their considerations under five headings:

  1. The Product: Whether an artefact in the traditional sense of an item made out of resistant materials; a piece of music, whether written or performed; a dance routine or an essay, all are products. Each one of these can be reflected upon by their creator as to whether, in their opinion, the product does the job for which it was intended.
  2. The Process: One can describe and reflect upon the methods used, whether new skills had to be learnt and what other knowledge or skills were acquired along the way and how they acquired them.
  3. The Person: Often ignored in ‘evaluation’ but the benefits to the person, the trials or experiences that enabled the person grow and feel satisfaction or the motivation to go on further need to be documented.
  4. The Problems: If a learner is to progress, then they should be aware of the problems experienced, how they were overcome and what possible problems have still to be addressed.
  5. The Potential: Nothing should be done just on the blind expectation of another, whether it be a teacher or an examination board. When we create something in which we obviously take pride, there is invariably a sense of ‘What next?’ Where can I sell this product? Is there a potential for bulk manufacture? Can I reach a wider audience? Can it be modified or developed further?
So, what can an e-Portfolio add to the above?


Visual evidence, artefacts stored ‘just in case I might need them’ add so much to recall and reflection that memory fails to bring to mind. So often when I look at a picture it evokes smells and even kinaesthetic experiences long forgotten - and if ‘a picture is worth a thousand words’ how much more a SlideShare or a video? Not only does the visual evidence evoke past memories, it can also suggest comparisons with the present piece of work and therefore extend reflection.

Historicity adds a perspective that can only be understood by comparing one’s efforts of several years ago with a present piece of work. Dr Helen Barrett writes of the e-Portfolio as being a record of one’s life-story. This again can only be true if the e-Portfolio is allowed to be that shoebox repository of personal treasures. But the understanding of progress or change is more than plain fact. There is an emotional element of possibly surprise or satisfaction which reinforces reflection. “When I was a child, I talked like a child, I thought like a child, I reasoned like a child. When I became a man, I put childish ways behind me.” (1Corinthians 13:11) The reflections of a student, even over a few years of study, when using their collection of rich media can have a powerful sense usually of progression. Of course, when submitting such evidences, the students must be careful to properly explain their context and the purpose of using such ‘evidences’ in their reflections.

Others’ Opinions

The above examples can all be thought of as introspection. However, the e-Portfolio has the powerful facility of supporting collaboration and e-secure conversations that can be recorded and used ‘in evidence’. For instance, the formative assessments or suggestions of a tutor can be built upon and, in reflection, one can say how they responded to suggestions or criticisms, and whether they chose to build upon the ideas given or chose to reject them, preferably with good reasoning explained.

Similarly, the group collaborative conversations can be reflected upon, quotes extracted and discussed within one’s own reflections. I have encouraged this approach in many situations, primarily explaining it as the synergy of ‘2 + 2 = 5’. ie that in building upon each other’s ideas we can develop a much better understanding than what we could generate by our ourselves.

However, the e-Portfolio tool should also be capable of inviting feedback on any page. Similarly, polls, star-ratings, comments or even questionnaires can easily be presented to provoke feedback from peers, mentors or other readers.

Simon Grant in his book 'Electronic Portfolios' provides a good definition in his Glossary:

"Reflection could be simply defined as the bringing to mind of some past experience or event, with the intention or the result of learning something from it. This contrasts with mere reminiscience, which people can do again and again without learning anything new. Reflection is connected deeply with portfolios, as a portfolio can act as the record of the experience or event, and can act both as a prompt for reflection and as a factor towards the accuracy of later recollection."


Earlier in his book (p50) he writes:
"Expressions, assertions and claims do not necessarily describe anything, and are not in their essence descriptions... Their function in relation to the rest of the world is by pointing to the connections in the world, rather than mere existence...`
He quotes Socrates, 'the unexamined life is not worth living'. (p210)

Unsubstantiated reflection is thus a possibly useless activity. However, by using an e-Portfolio to both present a project and also substantiate reflective argument with evidences is, in my opinion and experience, the only true and effective method in this web2.0 world. How I envy today’s young students!

Thursday, 5 February 2009

Are you ready for Digital Storytelling?

One of the most powerful uses of an e-Portfolio is that of collecting and collating snippets of rich media that will, probably or possibly be used in various presentations. The e-Portfolio has the capacity to 'Save Once, Show Many' times (or SOSM) and for different purposes.

A link (first on the list below) forcibly reminded me that I had not addressed this use of the e-Portfolio within this blog. Of course Dr Helen Barrett has been shouting this from the rooftops for ages as her pages clearly announce.

This use of the e-Portfolio, possibly as a sort of private confessional, supports a powerful form reflection, organisation of though, reviewing of expressions used according to selected audinces. I therefore commend this list to educators as illustrations of how we can use rich media to help students in writing for a purpose.

For students, I commend reviewing many of the presentations in order to absorb something of the rich culture of Digital Storytelling. Above all, do not worry about the technicalities. To begin with just write from the heart and use a few still photographs, or add a bit of 'mood music'. If you have a simple video-camera or mobile phone, just record some short clips and then dub with your voice-over. Some of these stories are very sophisticated, others are technically more simple, but remember, it is the combination of the story that you are telling and your choice of supporting media that can tell so much about you. If 'a picture is worth a thousand words', how much more powerul a whole Digital Story?

The following list shows a diverse range of materials and support:
If you have other examples that I should add to this list, please let me know!